Vin Wynne exhibited for the first time a remarkably intimate and introspective series of portraits;
Sarah-Jane Comerford‘s reconstructed fleshy pink sculptures were all but pretty and comfy;
Supafast, Hugh Cooney & Tom Lynn showcased and presented latest weapons of ‘mass persuasion’ including claustrophobic experiments in water-boarding;
Jim Doyle applied Cartier-Bresson to the miniature and the plastic to create what he coined ‘pop art conceptualism’;
Nicole Tilley amazingly weaved the bleak and the disturbing with the poetic and the nostalgic.
View them on our Virtual Exhibtions page.
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